In the work of Arturo Comas we find a series of operable mechanisms, objects the author activates while inviting us, the spectators, to imagine that we are also participating in that action. However, Comas’s devices possess the nonsensical quality of uselessness, and some even lead us to project all our fears and frustrations on them.

This proyect of Christian Lagata reveal lived moments that have been extracted and placed in captivity. It is as if we had been handed a key without knowing which door it opens, ambiguously coaxing us to partake of a worldly wisdom that is not our own but still seems oddly familiar.  

There is nothing random or coincidental about Antonio R. Montesino's exhibition project Entropía (Equilibrio, ruido, dispersión) [Entropy (Balance, Noise, Dispersion)], for through it the artist primarily aims to address and elucidate two themes that have dominated his recent work: the questioning of organisational models and the construction of new models based on a reinterpretation of objects that the current system discards as waste.  

The project was created based on the extreme experience of the artist Alicia Roy with regard to the fire that occurred in August 2012 in the province of Malaga. Her family estate, a place of many memories, encounters and dreams, was burned down.