Activities 2022

Pepe Domínguez

Huelva. From 07 Sep to 02 Oct 2022

‘Furtive’ exhibition presents a group of large-format canvases that have no unifying theme or distinctive style, but rather summarise the results of the artist’s insistent questions about the expressive possibilities of painting

 

Eduardo Rodríguez

Cádiz. From 27 Jul to 03 Sep 2022

Silver Time, Lead Tongue is a project with multiple comings and goings of connections and meanings between architecture, the object, the body and materials

Timsam Harding

Jaén. From 15 Jun to 10 Jul 2022
Marta Galindo García

Huelva. From 08 Jun to 10 Jul 2022
Digital Afterlife Project by the artist Marta Galindo García at the Huelva Museum. “Gilbert Simondon described death not as the elimination of individuality but as a hole left by that individuality".
Lucía Tello

Cádiz. From 27 May to 23 Jun 2022

Eternal Feminine invites us to stop and truly think about the stereotypes lurking behind the innocuous appearance of some of the objects with which young girls amuse themselves. The artist’s attentive gaze picks up on particular qualities and translates them into the language of painting, her habitual medium up to this point.

Eduardo Rodríguez

Córdoba. From 28 Apr to 26 Jun 2022

Silver time, lead tongue is a project by the artist Eduardo Rodríguez, with multiple comings and goings of connections and meanings between architecture, the object, the body and the materials.

Pepe Domínguez

Granada. From 16 Mar to 13 May 2022

The Furtive exhibition presents a group of large-format canvases that have no unifying theme or distinctive style, but rather summarise the results of the artist’s insistent questions about the expressive possibilities of painting

Timsam Harding

Sevilla. From 17 Feb to 17 Apr 2022
Project 28 m/s by Timsam Harding, in the Santa Inés Exhibition Hall, in Seville.
Marta Galindo García

Córdoba. From 04 Feb to 03 Apr 2022

Exhibition of 'Digital Afterlife' of Marta Galindo García.

Lucía Tello

Málaga. From 31 Jan to 27 Mar 2022

Eternal Feminine  invites us to stop and truly think about the stereotypes lurking behind the innocuous appearance of some of the objects with which young girls amuse themselves. The artist’s attentive gaze picks up on particular qualities and translates them into the language of painting, her habitual medium up to this point.

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