Andy G. Vidal talks about his own experience, about the amazing evolution of technology from the early 1990s to the present day, about the birth and use of electronic and digital processes, and, of course, about his own take on all of this, his emotional relationship with the electronic devices that have accompanied him since childhood.

There is nothing random or coincidental about Antonio R. Montesino's exhibition project Entropía (Equilibrio, ruido, dispersión) [Entropy (Balance, Noise, Dispersion)], for through it the artist primarily aims to address and elucidate two themes that have dominated his recent work: the questioning of organisational models and the construction of new models based on a reinterpretation of objects that the current system discards as waste.  

This exhibition is a small creative workshop-laboratory, containing processes, tests, metamorphoses, and conclusive works. Cyanotypes, postcards, floral curtains, sounds, drawings and notebooks (artists’ books) flow through the room, in which the passage of time modifies the physiognomy of part of the works.

The different projects that make up ‘Just Animals’ propose that we think about the human condition. We use animal diversity and the power of the fable as binders of folk wisdom, and powerful tools to delve into the social and cultural nuances that determine man.